Tiny Abstract

This tiny painting measures 8 x 8cm! I created this for a communal project, one of about 16 that will be framed together. I used watercolour, acrylic ink and thin tissue paper collage. I have never tried to create such a small abstract painting before, it has been a real challenge!

Rock Pool 2

Rock Pool 2
Acrylic 45 x 122cm

This painting is the second in a series of rock pool paintings. I love the way light is reflected on the surface of the water in some areas of our rock pools, creating a milky reflective surface. Where the rock pool is in shadow, the water becomes transparent, allowing a clear view of the stones and shells below.

I have used very subtle tones of colour here, I am experimenting with colour mixing at the moment, trying to create very subtle tones from my very vibrant acrylic tubes!



Pots of Paint

I mix up my favourite shades and tones in these little plastic pots, adding a bit of acrylic medium and a few drops of retarder, the paint stays lovely and smooth indefinitely. I now have found pots with clear lids, making identification much easier. I love to have all my mixing done before I start painting, I have built up enough mixes to be able to paint spontaneously - even though I will plan an initial colour scheme just to get started.

Kim at Creative Influences always leaves the most thought-provoking comments here, she seems to be able to create such interesting discussions, she always makes me think. There is so much of what we do as artists that is instinctual and only when we are urged to write down our thoughts to explain ourselves to others, do we have to analyze and verbalize what we do.
Thanks, Kim!

African Vineyards

Cape Town is surrounded by vineyards. I love the vine, the way it grows all crooked and gnarled with leaves that turn to a reddish-orange profusion of colour in autumn. While living in the Northern Hemisphere in 2006 and 2007, I used to dream of the vineyards when thinking about Cape Town, they seem to embody and symbolise how I feel about the Cape.

This is one of the “Red paintings” I have been working on. Our vineyards are usually planted on the side of a hill, facing towards the south-easterly wind. We are experiencing days of extremely hot, humid weather and this has influenced me to paint this landscape in these hot colours.

Vineyards at Groot Constantia

A vine in winter devoid of leaves

Freedom

Freedom

Acrylic, 122 x 88 cm

This painting was originally posted under the name “flight”. I have been working on this canvas on and off for the last few months, I have even hung it at a recent exhibition and then worked on it again after the show. Do you ever do this?

I have turned the canvas horizontally, it looks better this way. My eagle represents strength and determination. She has the ability to move freely from one dimension to another, to soar above mundane daily life with absolute freedom.

I love to turn my paintings around and hang them up for a while in this new view of the work, it is like having four different paintings! Contemplating my paintings in progress plays an enormous part of my painting process, I spend ages looking at them in order for the paintings to direct me and tell me where to go next. I usually work on three or four at a time and so my studio can become very cramped with canvasses standing about. I dream of having a studio the size of a church hall!

In order to hang them all up without banging a million nails into the wall, we put up picture rails in my small studio and have hung chains from which I can hang the paintings. I screw a nail into the middle of each stretcher bar and then tie a loop of string so I can hook up the painting in whichever way I fancy. I can move these chains according to the size of the paintings and can hang two or more on the same chain.

What do you do with your paintings while working on them?

Painting at the Yacht Club

On Monday we painted at the local yacht club, I am trying to simplify, abstract and reduce to the essence of the subject. This is my attempt using oil paints.

I had quite a scary experience and I wonder if anybody else has had this experience:- some of my friends are using Liquin, a fast-drying medium with their oils. I used it once before when painting in my studio and I had a horrific headache after a few hours of painting. I was not sure then that the headache was due to the Liquin.
This time, I thought I would be okay out in the open, but of course I had to pack it all in my car to get home and the smell was very strong. After an hour or so my head started pounding and I became very nauseous, well it got worse and I felt really horrible. This went on for 18 hours! I phone my artist/doctor friend who said that these solvents can be incredibly toxic and I probably have an efficient body that raises the alarm when exposed to toxic products. I still feel woolly headed even after 4 days!
I don’t get any adverse reactions my acrylic paints so I think I am going to stick to using them.

A Painting in Progress

It is so hard to get back into painting after a trip away; there are always so many mundane tasks to get out of the way before I can loose myself again in the painting process. I feel a keen sense of loss not having painted for three weeks, it’s a bit like an addiction or an obsession, I have withdrawal symptoms!

I thought I should put down a few words regarding my painting process. I am allowing this painting to evolve, trying not to control its destination. The larger format of 122 x 88cm is a challenge. Scruffy old 3.5cm wall brushes have been used to apply the acrylic paint, creating interesting brush-strokes. With the canvas flat on the floor while applying the paint, I can doodle, splatter and dribble to my hearts content. I usually put on music and end up dancing and swaying around the canvas, feeling a bit like a witch attending her cauldron! Sometimes the canvas becomes very wet if water is sprayed into the mix and a huge amount of patience is required to allow the painting to dry flat without fiddling with it. I love the interesting patterns that emerge during the drying process.
I like to work on three or four paintings at a time, experimenting on one and repeating the experiment on another. I am now trying to keep the images mostly abstract.
Somehow I am seduced by my logical mind into finding figurative images too soon in the process. I think it is my mind’s way of taking control again and I am now aware of this. I have to try to leave my, “Left brain” at the studio door.
The only problem with this method of painting is that a huge amount of space is required. I am now outgrowing my little appropriated studio (3rd bedroom), I need a room the size of a church hall with added veranda for drying paintings!
I am so enjoying finding like-minded artists on the web. Diane McGregor expresses the intuitive painting concept beautifully in her words and paintings. See http://www.dianemcgregor.blogspot.com/

The Process of Painting "Synthesis of Knowledge"

Layering the paint and playing with shapes, my initial painting seemed to take me into a rocky landscape. Feeling the need for a bit of drama, I painted the sky a deep, dark, inky blue and then pulled some of the colour into the rock formations.
I rotated the painting and a whole new image, a self portrait, was revealed. The orange across my forehead relates to an increasing creative and personal illumination. The torch represents the power of visualization. The painting is divided, the smaller left side depicts the nebulous future, the right side the past. Faces of my inspirational art teachers hover behind.
This is a break-through painting and it conveys a strong message for me – it is time to release myself from the control of my art mentors and set out on my own individual path.

Genetic Connections

Price: ZAR 5,000
Dimensions: 92 x 61cm
Medium: Acrylic

My daughter is expecting her first baby and had to go through various tests regarding possible complications. Happily the baby is fine. This painting expresses the concept of information being passed from generation to generation to the newly-formed embryo.

My husband and I spent eight months in Sharjah, The United Arab Emirates last year. I thoroughly enjoyed living in a different culture, meeting people who lived their lives in a way so very foreign to me. I was fascinated talking to women who were one of four wives, we had many questions for each other! As an artist, I struggled to find suitable subjects to paint, high-rise buildings sprung up like mushrooms on the flat desert sand, so close together, they blocked out the light. Almost nothing growing, just the odd palm tree encrusted with sand grew limply in the 44 degrees and 95% humidity. Frequent dust storms and humidity obliterated the sky for weeks. I felt trapped in air-conditioned rooms where a sensory deprivation set in - no music, nothing visually inspiring and nothing to smell or hear. I realised that I need to have a connection with what I am painting; because everything was so strange and alien to me, I couldn't find a subject to paint. I have painted in an abstract manner before, but I did not understand really what I was doing.

I started painting in a purely intuitive manner. I had no external inspiration and so was forced to look within myself for some sort of subject matter. I lay the outstretched canvas on the floor, squeezed out some acrylic paint and just played around with it on the canvas. My spirits were lifted just by splattering on the paint and moving it around in a sensory manner. The strange thing is, I didn't really believe that what I was doing was valid in any way. I wasn't painting with an end in sight, somehow it didn't matter, I was simply diverting my mind by doing something that I love. I continued to work on two pieces over the next few weeks and I would spend time just gazing at the paintings and images would appear. As I progressed, images would come and go - this process amazed and delighted me. I began to wonder if others would be able to respond in some way to my "doodling". The paintings, "Meditation" and "The Dance" are the two works completed in Sharjah. They have sent me on a new and exciting journey.

Synthesis

Price: ZAR 4,200
Dimensions: 50,5 x 58,5cm
Medium: Acrylic

The Dance

SOLD
Dimensions: 45 x 122cm
Medium: Acrylic

The Red Leotard

SOLD
Dimensions: 80 x 100cm
Medium: Acrylic

Meditation

Price: ZAR 5000 SOLD
Dimensions: 70 x 100cm
Medium: Acrylic