Tuesday, December 1, 2009

Garden Roses


Garden Roses
Acrylic 49 x 59cm
This is one of the demonstration paintings that I started in my acrylic workshop and then completed in my studio. I had picked a few roses from my garden and placed them in a vase, but this is really painted from my imagination and memory.

The painting surface is a piece of 100% cotton seed-cloth. I cover a board with a thin piece of plastic so that the painting does not stick to the board. I then wrap the cloth around a board and prime it with two coats of gesso and a coat of acrylic medium. I love to work on a hard surface, so I can scratch and scrub into the paint, without worrying about denting the canvas. I sometimes work with liquid paint and this can pool on a stretched canvas. I have now carefully remove it from the board and will have it stretched on a stretcher.

Wednesday, November 18, 2009

Dance 3


Dance 3, Mixed Media
30 x 25cm
I have quite a few small canvasses stacked away in my studio, I usually find them too small to work on and so they remain in the back of my cupboard. I love to play with watercolour and collage but I dislike having to put the image behind glass. I decided to experiment with watercolour on the blank canvas, wondering if the pigment would just sink into the canvas and dry very pale. I used tissue paper to collage some shapes on which to play and this dancer seemed to appear, she has very fat legs! I left some of the watercolour and painted over some of the areas with acrylic and then sealed the image with a coat of diluted soft gel. I now wish I had worked on a larger canvas, maybe I will use this painting as a spring-board for a larger image.

Tuesday, November 3, 2009

Acrylic Workshop

Recently, I conducted a, "Getting Acquainted with Acrylic" workshop. Most of the participants were oil painters who wanted to try out a different painting medium. The purpose of the workshop was to explore how the paint behaves on the painting surface using a variety of implements, e.g. brushes, knives, cloths, shapers and fingers, using a variety of mixtures of paint, from thin watery washes to sensory mixtures with the feel of soft serve ice-cream. I demonstrated how I customize my paint, adding a little medium and water until it is a lovely creamy consistency. We covered the painting surface with medium and painted directly into this. The medium keeps the surface moist and is ideal for colour mixing on the painting surface.
We created monochromatic landscapes after mixing a variety of values from indigo through to white in small tubs. It was fun to load two big brushes with light and dark paint and move the paint around to create spontaneous shapes. We used a palette knife to scrape into the paint and to mix the thick paint on the surface.
Using white ice-berg roses as our reference, we created lovely organic shapes in our second painting. Thin watery paint was splattered and poured onto the surface and allowed to drip, run and merge.
The shapes of the flowers were then wiped out with a cloth. We played with creating line with a pipette and rubber shapers. Paint was then applied with large brushes, a cloth and our fingers.

Friday, October 30, 2009

Approaching North-wester


Acrylic
122 x 46cm
Cape Town is situated on a peninsula and is surrounded on three sides by the sea, beaches and rocky outcrops. During the winter we have many storms blown in by the strong north-westerly wind. We can actually see the heavy cloud-bank approaching over the sea. A ship was recently blown onto the beach near where I live, luckily all the crew survived and I think they have managed to drain off all the fuel to prevent an oil spill.

Tuesday, October 13, 2009

The Surge



The Surge
92cm x 92cm
Acrylic
This is an imaginary landscape that has been painted in many thick and thin layers of acrylic. I love to put down an opaque layer and then glaze over it with medium tinted slightly with colour. I then tend to destroy some of this with a new opaque and tint layer. This painting has taken months to complete!
I am fascinated by water, its movement, its sheer power and the amazing colours that are reflected as the light passes through the tumbling mass of frothy liquid.

Sunday, September 13, 2009

Hello!

I started painting again two weeks ago! I am still very involved with Iain's rehabilitation which could take another few months. I am quite an early bird and used to read when getting up early. I am now painting at 6am and can spend a few hours in my studio before seeing to other commitments at 9am. This is a magical way to start the day! I feel such a connection with my paint and do my best painting at that time. I don't know why it has taken me so long to discover this! I feel as the day progresses, I still try to paint in between other chores, but struggle to get my mind back into that wonderful "space".


Acrylic 92 x 61cm

This painting was hanging on my wall unfinished, in mostly reds and blacks. I completely oblitereated the painting with white and purple and a bird of prey emerged. I see a series emerging! I seem to have a need to paint about feelings of freedom and power.

Monday, April 6, 2009

Autumn in Cape Town

The weather is changing, this is my favourite time of the year! The skies become alive at dawn and dusk with amazing colours and shapes, I can see so many abstract paintings up there. This view is from a beach close to where we live.

I am having to imagine painting or do paintings in my head at the moment. My husband, Iain had an operation on his back on Thursday and he now has to lie flat for six weeks, except for an occasional walk. He can't bend or sit at all and so really needs my help. I have decided to cancel all my activities so that I can be "Chief nurse and bottle washer" and hopefully manage to paint a bit in between! I do apologise for not visiting any blogs lately, I will get there when things have settled down into some sort of routine.

Friday, March 20, 2009

Opportunities!

Cape Town comes alive in summer with a whirlwind of shows and exhibitions, many of which are run by the artists, themselves. We have a huge, very active population of artists living in the Western Cape. I have been involved with an exhibiting group for the last ten years, holding exhibitions in spring and late summer.

Over the last couple of months, I haven’t had time even to think – really… I miss having time just to sit and think about my art and paintings. I am looking forward to the quieter winter months when I can get up early and be able to sit quietly and think and paint a bit.

The sales at the most recent show were pretty lean on the ground compared to this time last year, in fact we sold only half of what we did last February. The economic depression is being felt in the art world here; let’s hope there is an upturn in the world economy soon.

I didn't sell any of my paintings, but I made some good contacts! At the opening of our show, an art acquaintance called me over to meet a man, a French art collector and dealer who was showing interest in my work. We had a very interesting discussion and he asked me if I would be interested in a solo exhibition at his gallery! We have been communicating back and forth and I am going to meet him soon to discuss this possibility. Eeeck, what a very scary proposition! Will I be able to produce enough work and will I cope psychologically with the pressure to produce for a deadline? I know I will really regret this if I chicken out, why am I such a wimp!

I was also asked by the head of the local watercolour society to give a demonstration of my mixed media approach. I find public speaking terrifying but I really feel I must push myself and get myself away from those sidelines that I so like to stand on.
This evening I will visit all my favourite blogs, I apologise for neglecting you!

Thursday, March 12, 2009

African Vineyards


Cape Town is surrounded by vineyards. I love the vine, the way it grows all crooked and gnarled with leaves that turn to a reddish-orange profusion of colour in autumn. While living in the Northern Hemisphere in 2006 and 2007, I used to dream of the vineyards when thinking about Cape Town, they seem to embody and symbolise how I feel about the Cape.

This is one of the “Red paintings” I have been working on. Our vineyards are usually planted on the side of a hill, facing towards the south-easterly wind. We are experiencing days of extremely hot, humid weather and this has influenced me to paint this landscape in these hot colours.




Vineyards at Groot Constantia

A vine in winter devoid of leaves



Sunday, March 1, 2009

Deadlines!

Brooke, me and one of my paintings!
I have just returned from the UK after spending 7 days with my granddaughter, daughter and husband. I so enjoyed getting to know Brooke and felt quite a jolt when her little face lit up whenever I walked into the room. I spent as much time feeding, changing, cuddling, entertaining and playing with this sweet little girl without completely taking over! Ohhhh, it is so tough to be living half way across the world!

On my return, I realised the clock is ticking, my next show is in seven days and three paintings are waiting to be finished. I hate deadlines, I am painting like mad and will probably not finish these paintings in time. This is not how I like to paint. These paintings have been on the go for the last three months and still have a distance to go.

It got me thinking about how some situations like this can cut off the connection with creativity.

How often do we think as we view our canvas or paper, armed with a loaded brush,
“Hopefully this will be my masterpiece”?
This thought can destroy the essence of creativity and has to be left at the doorway of the studio if one wants to be experimental in any way. If you have the thought that this painting has to work, you have spent good money on this canvas and you need a good painting for the next show, you are not going to take any risks and try out something new.

It’s almost as if you need to give yourself permission to spend your very valuable painting time just playing with the paint. I think of the days spent painting those layers of paint that are now mostly obliterated with subsequent layers, a little voice niggles away at me,
“Am I wasting my time and paint here?”

The one thing I have to keep telling myself is that eventually the painting will feel complete. I have to develop patience and allow the image to emerge and forget the deadlines!