Vine Leaves

I added a few more washes and turned my vine painting on its side. I quite like the contrasting effect of watercolour with the oil bars.

An important aspect of intuitive painting is the ability to tap into your subconscious mind, bring information to the surface and be able to use it in a creative way. I have read that dreams are a window to this area of the mind. I have great difficulty remembering my dreams if I don’t try and consciously bring them to the surface as soon as I wake up. Intuitive painting is all about revealing yourself absolutely, honestly, warts and all. This way of working gives you transparency and coming to terms with this gives you incredible freedom. “This is me”, like me or not and these are my paintings which you may like or not.
I great way to tap into the subconscious, is to make a, “Life collage”. A few years ago, while attending Margie Johnson’s watercolour lessons, she had us make this type of collage. She had laid out a pile of magazines, put on a lovely classical piece of music and asked us to spend 10 minutes tearing out images. We had to empty our minds and not think about what we were doing, not showing any preferences for the images. We then took a large piece of paper and had to paste down the torn pieces quickly, without any thoughts of composition or preference. All the collages were put up on the wall and we were asked to really look at our own piece for five minutes and then make a few comments to the group. My collage absolutely astounded me! I had created this without conscious thought. I couldn’t believe how much of myself was revealed there, it was really scary!
Every torn piece of magazine held a huge amount of relevance for me. It is a great resource for ideas for future paintings.

I love these kind of creative exercises! Do any of you have any good ones to share?

Lost in Translation

My dear friend, Kim, asked if I ever use photos as a memory aid after a painting session outdoors. I used to do this when I first started Plein Air painting, but found I often mucked the whole thing up in the process! I find that when a painting is in its final stages, it needs me to do the problem-solving thing – I stare at it for ages, from quite a distance and in different lights (dawn light is great) and I allow the painting to speak to me. Ideas of contrasting light and dark, warm and cool, hard and soft edges come to me and I go with them and complete the painting in this way.

I find painting outdoors a most meditative and healing practice. It so fits in with my need to paint intuitively. We find calm and peaceful locations, where all the worries and anxieties of the world seem to slip away for a few hours. There is a feeling, an atmosphere about a real location that is “Lost in translation” when using a photograph. I just breathe in the visual, auditory and sensory stimuli of the location and then I am thrown into the process, trying to visualize that feeling on the canvas or paper. Since I made the transition from rendering a purely figurative image to allowing the senses free expression, I feel this amazing sense of freedom.

Kim asked about dust and dirt adhering to the canvas, when acrylics outdoors. I quite enjoy texture and so am quite happy to add a bit of sand and grass to the mix! It gives the painting a sense of authenticity, a little bit of the location forever locked into the painting! You have to wait to do those lovely clear glazes back in your studio, Kim!

On Monday, I sat under a canopy of vine leaves swaying in the breeze, with the light shining through the leaves, making them translucent. I left with an unfinished watercolour, due to the antics of the baboons. In my studio, I decided to try out some of my newly acquired oil bars on the painting, thinking it is such fun just to experiment and see what happens. The contrast between the watercolour and oil bar is intense, highlighting the transparency of the watercolour. I might continue and add another wash to the piece.

Our dear friend Suki recently lost her mother and I would like her to know that even though some of us live very far away, we are thinking about her and are there for her on the www.